Should you have any questions regarding the Western Aesthetics course essays or regarding the course examination, please post your questions here. I will respond to the after 6 Oct.
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Showing posts with label Western Aesthetics. Show all posts
Showing posts with label Western Aesthetics. Show all posts
Friday, October 01, 2010
Wednesday, September 15, 2010
MA English - Western Aesthetics CIA III - Audio-Visual Presentation
Following are the links to the presentations uploaded by students of the 1st year MA English with Communication Studies programme as part of their Continuous Internal Assessment of the Western Aesthetics Course. This is perhaps the first class in India to broadcast their presentations online via YouTube, exploring the possibility of a digital classroom.
1) Rohit S Nair's presentation on Terry Eagleton's "Capitalism Modernism and Postmodernism".
2) Sebin Justine's presentation on Dick Hebdige's "Postmodernism and the 'Politics' of Style".
3) Ankita Das' presentation on Hal Foster's "The Primitive Unconscious of Modern Art".
4) Arya Augustine's presentation on Peter Burger's "On the Problem of Art in the Bourgeois Society".
5) Basreena Basheer's presentation on Raymond William's "When was Modernism?"
6) Mariya Izzy's presentation on Pierre Bourdieu and Alain Darbel's "The Love of Art".
7) Pannaga S.G.'s presentation on Raymond William's "The Works of Art Themselves".
8) Pritha Biswas' presentation on Richard Shiff's "Defining Impressionism and the Impression"
9) Ritu Kedia's presentation on Clement Greenberg's "Modernist Painting- An Essay".
10) Ruchira Dutta's presentation on Edward Said's "Orientalism".
11) Shanthi Joseph's presentation on Serge Guilbauts' "Adventures of Avant Garde in America".
12) Shilpi Rana's presentation on Lucy R Lippard's "Mapping".
13) Sneha Roy's presentation on Walter Benjamin's "Art in the Age of Mechanical Reproduction".
14) Sneha Sharon Mammen's presentation on Timothy Clark's "Olympia".
15) Sreetama Ghosh's presentation on Stephen Eisenman's "The Intransigent Artist".
16) Surya Simon's presentation on Antony Giddens' "Modernity and Self Identity: Self and Society in the Late Modern Age".
17) Triveni Waikhom's presentation on Frederic Jameson's "Aesthetics and Politics".
18) Vachiraporn Pharin's presentation on Alan Wallach's "The Museum of Modern Art Past's Future".
19) Vandana's presentation on Benjamin H. G. Buchloh's "Figures of Authority: Cipher's of Regression".
20) Ananta Pradhan's presentation on Yve Alain Bois' "Painting: The Task of Mourning".
21) Anjan Behera's presentation on Philip Leider's "Literalism and Abstraction: Frank Stella's Retrospective at the Modern".
22) Geeta Lakkannavar's presentation on Griselda Pollok's "Vision, Voice and Power- Feminist Art History and Marxism".
23) Chandu's presentation (Part 1 & Part 2) on Theodore Adorno's "Art, Autonomy and Mass Culture".
24) Shushma Patil's presentation on Philip Leider's "Literalism and Abstraction: Frank Stella's Retrospective at the Modern".
As per YouTube's requirement, your web browser must have the Adobe Flash Player plugin to view the videos. For downloading the software, click here.
1) Rohit S Nair's presentation on Terry Eagleton's "Capitalism Modernism and Postmodernism".
2) Sebin Justine's presentation on Dick Hebdige's "Postmodernism and the 'Politics' of Style".
3) Ankita Das' presentation on Hal Foster's "The Primitive Unconscious of Modern Art".
4) Arya Augustine's presentation on Peter Burger's "On the Problem of Art in the Bourgeois Society".
5) Basreena Basheer's presentation on Raymond William's "When was Modernism?"
6) Mariya Izzy's presentation on Pierre Bourdieu and Alain Darbel's "The Love of Art".
7) Pannaga S.G.'s presentation on Raymond William's "The Works of Art Themselves".
8) Pritha Biswas' presentation on Richard Shiff's "Defining Impressionism and the Impression"
9) Ritu Kedia's presentation on Clement Greenberg's "Modernist Painting- An Essay".
10) Ruchira Dutta's presentation on Edward Said's "Orientalism".
11) Shanthi Joseph's presentation on Serge Guilbauts' "Adventures of Avant Garde in America".
12) Shilpi Rana's presentation on Lucy R Lippard's "Mapping".
13) Sneha Roy's presentation on Walter Benjamin's "Art in the Age of Mechanical Reproduction".
14) Sneha Sharon Mammen's presentation on Timothy Clark's "Olympia".
15) Sreetama Ghosh's presentation on Stephen Eisenman's "The Intransigent Artist".
16) Surya Simon's presentation on Antony Giddens' "Modernity and Self Identity: Self and Society in the Late Modern Age".
17) Triveni Waikhom's presentation on Frederic Jameson's "Aesthetics and Politics".
18) Vachiraporn Pharin's presentation on Alan Wallach's "The Museum of Modern Art Past's Future".
19) Vandana's presentation on Benjamin H. G. Buchloh's "Figures of Authority: Cipher's of Regression".
20) Ananta Pradhan's presentation on Yve Alain Bois' "Painting: The Task of Mourning".
21) Anjan Behera's presentation on Philip Leider's "Literalism and Abstraction: Frank Stella's Retrospective at the Modern".
22) Geeta Lakkannavar's presentation on Griselda Pollok's "Vision, Voice and Power- Feminist Art History and Marxism".
23) Chandu's presentation (Part 1 & Part 2) on Theodore Adorno's "Art, Autonomy and Mass Culture".
24) Shushma Patil's presentation on Philip Leider's "Literalism and Abstraction: Frank Stella's Retrospective at the Modern".
As per YouTube's requirement, your web browser must have the Adobe Flash Player plugin to view the videos. For downloading the software, click here.
Wednesday, August 25, 2010
MA Western Aesthetics CIA 3 - Audio-visual Presentation
Notes by Sneha Sharon Mammen
Dated: 25th Aug, 2010.
GUIDELINES FOR AUDIO-VIDEO PRESENTATION:
1) Time limit: minimum- 10 mins, maximum- 30 mins
2) Structure:
Part A-- What is the essay about ( Answer in a few sentences)
Part B-- Explain the aforementioned. ( How the essay according to you is about it)
Part C-- Concluding remarks, your reflections on it (optional) and critical positions.
3) Naming of the file:
(Begin with the author's name, title of the essay underscore and your name, each word division separated by an underscore) for example: Raymond_Williams_When_was_Modernism_Basreena_Basheer
4) Evaluation Criteria: 70% for comprehensive analysis, 20% for effectiveness and creativity, 10% for language.
5) Date of submission: on or before 10th of September, 2010, 12 midnight.
6) Sending the Assignments: Please upload your presentations to Youtube and send the links to Sneha Sharon and Anil Pinto on or before the date of submission.
ALL THE BEST.
How to Approach Your Research- For MA Previous
Notes by Sneha Sharon Mammen
Dated: 25th August, 2010.
The foremost thing to keep in mind is to CUT THE FACT that is to give what the question asks. A Giddens or an Eagleton might talk of a hundred things in a go but your approach should be selective, mapping the interaction between the self and society as Giddens talks of in his essay. Its not mere paraphrasing. Also, do not give biographical sketches if it is uncalled for. That Terry Eagleton was a student of Raymond Williams becomes an interesting factual analysis if only you could talk about how Wiliams' ideas evolve through Eagleton.
CITATIONS should be precise and accurate, not straightforwardly citing the professor if you use his ideas/borrowed ideas. Nonetheless, you should go in the apt details. Supposingly, if you use details from the blog, cite the person who has jotted it down there whether you use or do not use the person's ideas directly.
(If you mention someone's name with or without using their ideas, cite them. If you just refer to the books without directly using them, it becomes more of a bibliography.) When you mention the name of the book, underline it. In case of poems, articles, essays- single quotes and in case of direct statements from the piece use double quotes.
Academic writing also needs to be argumentative and clear. Do not forget to break your work into paragraphs. It represents the clarity and flow of thought. It should be arranged not only mentally but visually too. If the paragrapgh starts at the margin, leave one line space or else five spaces (one tab). It would also reflect your line of thought precisely bringing out your analysis and argument.
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