V Semester Literary theory class notes 1

07 JUNE 2010

INTRODUCTION TO LITERARY THEORY

People have been writing for many years, writings also referring to what cave men did on walls of their caves.

Anything that records human thought on a surface is writing, which also includes paintings. One example of pictorial writing is the Chinese script.

Till 19^th century there was a separate category of writers. Before which there was nothing called ‘Literature’.

It was only in the 20^th century that it became a discipline. And because it became a discipline it had to form boundaries and rules. It has to be defined under a category.

The need for English Literature was felt after the First World War. Primarily because of nationalist reasons, which had become a major concept. And hence things like passports and visas came into existence. Boundaries became more rigid than ever. And yet nations exist only in imagination.

People and government became strongly conscious of their identity.

This lead to the birth of Literature.

Till now throughout England only German writings and philosophies were studied in universities. Therefore it was impossible to generate hate towards Germany and a sense of nationalism and patriotism when the majority population loves and appreciates the works of German men.

For these reasons German works were displaced by English Literature. Hence Literature evolved on the death bed of philosophy. Literature borrows its tools from theology and philosophy.

However in the selection of texts there was a clear bias for the aristocracy and their writings. All the prescribed texts were from the higher class of the society. All the great ideas were a part of a marketing strategy.

Now some texts were treated as special and some not special. The one’s treated as special were prescribed and appreciated. However what made them special had no logic to it.

Pinto, Anil. Class lecture. Introduction to Literary Theory. Christ University. Bangalore, India. 07 June 2010.

American Literature Expectations of II year JPEng class

Following are the expectation from the American Literature paper that the students of II Year JPEng voiced. I have given my replies in the brackets. Thanks Sammitha Sreevatsa for noting them down and emailing.

- Opportunities for oral presentation based CIA (Time constraint may not allow)

-interactive sessions (Yes)

-detailed explanation (Considering that a BA is a higher education programme I intend to lecture around specific concerns pertaining to American literature in the Indian/Bangalore context. Hence, apart from necessary explanation which is crucial to understand the text, I may not go beyond. However, I am open to clarifying any doubt. ) 

-made simple (Sure)

-less theoretical (yes. The concerns will be located in the texts)

-space for self exploration (Sure. All for it.)

-Should be able us to relate to what's contemporary (Absolutely)

-Background/ contextual explanation (Sure)

-Plays given as much importance as poetry and stories (Ok)

-variety in approaches (Not suer as of now. Let's see how it unfolds)

-providing reference sources (sure, you can also collaborate)

-to be told whats expected from us exam point of view. (Sure)

Useful resource to learn from Ivy league colleges

Here is the link to this site where a lot of top notch Ivy league college lectures on various topics are put up. This might help like a certificate course or can help you in supplementing your subject lectures. There are some interesting online courses too.


http://academicearth.org

BA IIII Semester American Literature Course Plan 2010

Please click here to download the course plan.

BA V Semester Literary Theory Course Plan 2010

Please click here to download the course plan document.

32ND ALL-INDIA CONFERENCE OF LINGUISTS 21-23 December 2010

32ND ALL-INDIA CONFERENCE OF LINGUISTS

21-23 December 2010 at Lucknow

Advancement of the scientific study of language being the primary object of LSI,  ALL-INDIA CONFERENCE OF LINGUISTS (AICLs) are held annually for promoting dialogue and interaction among researchers in the field from India and abroad.  Papers (written in English or Hindi) are invited on substantial, original and unpublished research on all aspects of theoretical and applied Linguistics, with particular focus on languages and linguistic applications relevant to South Asia.
Contact: 32aicl at gmail.com

For more details visit the site:  http://sites.google.com/site/lucknowaicl/
http://www.h-net.org/announce/show.cgi?ID=3D174912

Prithviraj Thakur
Assistant Professor of English,
G.S. Science, Arts and Commerce College,
Khamgaon.

Phone:  (91) (09881721193)

National Conference on Methods, Materials and Techniques of Teaching English Language 24 - 25June 2010

National Conference on Methods, Materials and Techniques of Teaching English Language: Call for Papers

Dates:  24 - 25June 2010

Organized by the Department of English, Jagarlamudi Kuppuswamy-Choudary College, Guntur - 522 006, Andhra Pradesh, India

As the theme of seminar is intended to address many issues bearing on language teaching and learning, papers related to different areas of language teaching and learning are also invited. Original and well-documented papers may  be sent to the following address along with the registration fee of 250/-: Dr V. Pala Prasada Rao, 2-12-165; Stambalagaruvu (Po); Guntur; Pin Code: 522006.
Dr V Pala Prasada Rao <prasadarao.jkccollege at gmail.com>

Here is new blog on reports on higher education

Higher Education in Media

Contributors/collaborators are welcome

Buck up on your backup - Business of Life - livemint.com

Buck up on your backup - Business of Life - livemint.com: "Buck up on your backup"

A New Blog for Researchers

Free Technology for Researchers

Hope my fellow researchers will benefit from it.

Dimdim Event Widget

Dimdim Event Widget

INTERNSHIP DETAILS FOR 2nd FEP students

IMPORTANT- THE INTERNSHIP DIARIES ARE A MUST.... ENTRIES MADE IN ANY OTHER NOTEBOOK WILL NOT BE COUNTED.
(refer facebook- FEP 2011 group)
Internship Guidelines

· The students of the Communicative English programme are required to undertake an internship of not less the 30 working days at any one of the following media organizations-
o Television,
o Radio organizations;
o PR firms,
o Advertising agencies,
o Event management companies;
o Theatre groups/organizations;
o Any other organization approved by the programme coordinator.
· The internship, which is a mandatory requirement for the completion of the Communicative English programme is to be undertaken during the fourth semester break.
· Faculty members from the department will be assigned to groups of students as guides.
o 08D4401- 08D4418 – Ms. Abhaya, (abhaya.nb@christuniversity.in)
o 08D4419 - 08D4434 – Ms. Tana, (tana.trivedijoshi@christuniversity.in)
o 08D4435 - 08D4448 – Dr. Sagarika, (sagarika.golder@christuniversity.in)
o 08D4449 - 08D4463 – Mr. Anil Pinto, (anil.pinto@christuniversity.in)
o 08D4464 - 08D4479 – Ms. Renu, (renu.elizabeth@christuniversity.in)
· The students will have to be in touch with the guides during the internship period either by meeting them in person, speaking over the phone and through the internet.
· The students will have to give the guide weekly reports of the work they have done at the organization.
· Regular contact with the guide, submission of regular weekly reports and maintaining regular internship diary/record carry 10 marks.
· At the place of internship, the students are advised to be in constant touch with their mentors.
· The students should work towards creating a portfolio of the work they have done for the organization.
· At the end of the required period of internship the students will submit a written report of their internship. The report should be submitted when the University opens for the V semester.

Format of weekly report to be emailed regularly to the guide
Joining report:
Personal Details
· Your contact no (mobile):
· Your personal email:
· Your current address:
· Home Phone:
Organisation Details
· Name:
· Address:
· Phone:
· Mail:
Job Details
· Department in which you are appointed:
· Job profile:
· Working Hours:
· Name of your immediate boss:
· Email:
· Mobile:

Ist weekend report
Please include whatever is relevant out of the following details in this report. A brief write-up on each topic is fine:
Rough organizational structure. (Owner, MD, Heads,.....)
Your time schedule
Details of your responsibility in the organization/department
Summary of your responsibilities and daily programme
Projects that you have completed/on going in this week
New leanings from the organistion
Relationship with your immediate boss in the organisation
Difficulties that you have faced in organisation
to interact with boss, management, team workers...
to understand the industry working situation
to keep time
travel and food
Team work
Challenges
Plan for the next week, if any.
Any other relevant detail.

IInd weekend report
Please include whatever is relevant out of the following details in this report. A brief write-up on each topic is fine:
· Project done/in progress
· Include the links/evidence of your projects/article (if any)
· Organisational work culture...
· New learnings/Innovative ideas
· Challenges/difficulties that you are facing in the organisation/team if any.
· some details on next project/s
· Any other relevant detail.

IIIrd weekend report
Please include whatever is relevant out of the following details in this report. A brief write-up on each topic is fine:
Project done/in progress
Include the links/evidence of your projects/article (if any)
How do you understand/look at the organization today as compared to your first impression?
New learnings/Innovative ideas
Challenges/difficulties that you are facing in the organisation/team if any.
some details on next project/s
How do you compare the class room learning (theory and practical) with industry exposure
Any other relevant detail.

Things that you need to get from the organization
Notes,
Rough draft of work done
Cuttings of printed articles
Photographs
Proof of ideas/your contribution
Note- If the organization does not permit students to keep copies of their work (some client work may be confidential), a letter describing the work done by the student must be provided by the organization.
In case, evidence is not available for the work/soft skills, the student shall get letters duly signed from the mentor or persons under which they have worked. For this the student needs to consult with the guide.
Your internship diary must be maintained everyday according to the format given and duly signed by your mentor every day. In case getting a signature everyday is difficult get it signed at the end of each week.
The report along with other mention items should also contain a letter in a sealed envelope from the organization, evaluating the students’ work. So please remember to get a letter from the organization before you leave.

Format of the Final Report
The report shall have the following parts.
· Title Page
· Declaration of the Student
· Declaration of the Guide (get signature from HOD and Guide from University)
· Letter from college
· Certificate/letter from Organization
· Acknowledgments
· Content page
· Introduction to the Course
· Aims and Objectives of the Internship
· Reasons for choosing the organization
· Profile of the Organization
· Organizational structure
· Job Description
o Appointment
o Duration
· Tasks undertaken
· Task Analysis
· Challenges/limitations of the Internship
· Retrospection/Conclusion
· Appendices (Attested portfolio of work done in the organization)

Style Sheet: The format for the internship report
Title page: Centered and Bold – 14 & 12 – Times New Roman
Logo of the college in title page: black, uniform in size
Page numbers: Roman numerals
I. Student’s declaration
II. Declaration of the guide
III. Letter from the College
IV. Employer’s letter (letter of successful completion)
V. Acknowledgement
Content page
· Do not number this page
· CONTENTS : bold +centered + caps
· Items: regular
Introduction to the Course
Page number begins form this page
Aims and objectives of the internship
Reasons for the choice of work place
Keep it precise
Profile of the work place
Max 3 pages
Brief history
Important facts
Organizational structure
Job description/nature of work
Duration of internship
Manner of employment
Working hours
Reported to
Assigned tasks by
Worked under/Mentor in the organization
Areas of work
Task and analyses
· Divide the task into categories and describe them: analyze all the tasks together
· Main title: Tasks And Analyses : 14 + bold + centered
· Subtitle : Tasks : 12 + bold + left aligned
· Task description and the analysis should be in third person and passive voice. (The intern was…)
Task analysis
What did you learn?
What skills did you acquire?
How did your course help you to do the work?
Challenges faced/Limitations of the internship
List the challenges you faced during the internship
Conclusion and retrospection
Narrative in first person.
Max 2 pages
Appendices
Signed proof of all your work done
The students must discuss with the guide the contents of appendix.
Any evidence in your appendix which is not signed is invalid.
Neatly label your appendices I, II, III, IV…
Proof read the entire report,
Page numbers: centre + bottom,
Paragraphs should be justified,
For bibliography footnotes follow MLA Style.
Headings- size 14, in bold and underlined
Body Font- Times New Roman, size 12, 1.5 spacing.

Dates of submission
First draft due on June 15th , 2010
Second draft due on July 1st , 2010
Final Reports due on July 15th , 2010

Cultural Studies and Cynicism

My course has technically come to the end. All the classes are over, except for one, and now, I have only the dissertation left. Over the last few weeks, I have been feeling a slight uneasiness towards the discipline of Cultural Studies. I will try to establish why.

The USP of Cultural Studies is that is under constant critique, that it critiques itself, and the world, constantly, at every moment, instant and oppurtunity. This is a good thing, because a closure means an end; a definite and certain end to critique, analysis and therefore, an end to challenging existing norms of production of knowledge and power. This is also necessary, because himan society can never reach a point of complete and unhindered Utopia where everyone has what they want and are content, and perfectly happy, constituting a perfectly happy planet!

However, there are moments of triumph; moments that deserve celebration. There are moments of achievement, when something theory has been striving for for so long has actually been percieved and given importance in practice. Take the establishment of the field of Cultural Studies itself, for example. It did not suddenly crop up into the world and begin existing in a benign and easy manner. It had to face much struggle, and much opposition from people who thought otherwise (or didn't think at all) and fight for its existence, before it was accepted as a discipline or a field, whatever the technical name one might attribute to it. But the fact that such a discipline is able to sit comfortably within a system, and critique that system from within is hardly acknowledged or celebrated today. Yes, it is another move towards the ideal, and we are getting there, but not yet... It is in persistent unrest. Critique is unrest. Critique is temporary, becuase once the thing that is critiqued changes, the new thing can be critiqued, and so on...

Sometimes, I feel like this unrest can even turn into cynicism. I know it isn't. I know that it is not the intention. But it is critiquing to the point of dissilusionment. At the end, (if there is an end at all), it doesn't allow any lend itself to an absolute answer, because it is so scared of the fact that it can lead to a different domination by a different kind of power, which can be dangerous, and therefore, unhealthy for the system. So, I feel like I'm stuck in this whirlwind of critiques, with no way out, with the structure of the discipline itself restricting it from looking for an end, in this mess and chaos, with no way out, and with no answers. Dissilusioning to the point of cynical. Don't know where to go from here.

4th FEP- Radio question paper pattern

Section A - 3 out of 4 (10 mks each)
1. DJ Script/ Magazine programme
2. Radio Documentary/ Interview
3. Radio drama/ Talk
4. News

Section B- 2 out of 3 (5 mks each)
1. 2 theory questions
2. PSA/Ad

Section C- 5 outof 7 (2 mks each)
Refer terms I posted!
All the best :)

4TH FEP-Radio Section C questions

Radio Glossary
· Actuality: live recording of a real event, sounds recorded on location
· Ad lib: unscripted announcement, off-the-cuff remark
· Anchor: person acting as the main presenter in a programme involving several components.
· Back –announcement: where the names and details of an interview or record are given immediately after the item.
· Back –timing: the process of timing a live programme backwards from its intended closing time to ensure it ends on time.
· Byte: a string of 8, 16, 32 or more binary electrical pulses or bits representing a specific piece of data
· Cd: compact disc. Digital recording and playback medium.
· Copy: written material offered for broadcasting e.g news copy, advertising copy.
· Cue: the prearranged signal to begin – visual light or gesture. Verbal. Musical or scripted words
· Cue, in and out: the first and last words (effects or music) of a programme or item.
· Cume: cumulating audience measurement.
· DAT: digital audio tape. Sound recording and playback system in digital mode using small tape cassette and rotating heads – as in a video recorder.
· Dry run: programme rehearsal, especially drama not necessarily in the studio and without music, effect or movement to mic.
· Log: written record of station output. Can also be recorded audio.
· Multi-tracking: two or more audio tarcks are recorded separately and subsequently mixed for the final result.
· Package: edited programme or insert offered complete with links ready for transmission
· Pick – up: gramophone record reproducing components which convert the mechanical variations into electrical energy.
· Post-echo: the immediate repeating at lowlevel of sounds replayed from a tape recording.
· PPL: phonographic performance ltd. Organization of british record manufactuers to control performance and usage rights.
· Prefade: the facility for hearing and measuring a source before opening its fader, generally on a studio mixing desk.
· Promo: on-air promotion of station or programme.
· Reach: term used in audience measurement describing the total number of different listeners to a station or service within a specified period. Most often expressed as a percentage of the potential audience. Weekly reach.
· Running order: list of programme items and timings in their chronological sequence.
· Sibilance: an emphasis on the‘s’ sounds in speech. May be accentuated or reduced by type and position of microphone.
· Slug: short identifying title given to a short item, particularly a news insert. Also catchline
· Spot fx: practical sound effects created live in the studio
· Sweep: the process of audience survey for a particular station or service within a given time scale.
· Traffic: station department responsible for scheduling and billing commericial advertising.
· Trail: broadcast items advertising forthcoming programme. On- air promotion or promo.