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Thursday, July 28, 2011

Mapping of the essay The Museum of Modern Art as Late Capitalist Ritual: An Iconographic Analysis by Carol Duncan and Alan Wallach

Thesis statement: As an institution, MoMA (Museum of Modern Art, New York) appears to be a refuge from a materialistic society: a cultural haven, an ideal world apart and yet, it exalts precisely the values and experiences it apparently rejects by elevating them to the universal and timeless realm of spirit.

1)      Topic sentence: In recent years art historians have become increasingly interested in understanding works of art in relation to their original physical settings-the churches, palace rooms or temples for which they were made.

Supporting sentence: Like the church or temple of the past, the museum plays a unique ideological role.

2)      Topic sentence: Museums, as modern ceremonial monuments, belong to the same architectural class as temples, churches, shrine and certain kinds of palaces.

Supporting sentence: Although all architecture has an ideological aspect, only ceremonial monuments are dedicated exclusively to ideology.

3)      Topic sentence: The museum, like other ceremonial monuments, is a complex architectural phenomenon that selects and arranges works of art within a sequence of spaces.

Supporting sentence: This totality of art and architectural form organizes the visitor's experience as a script organizes a performance.

Key words: Rituals- form and content

4)      Topic sentence: In the museum, painting and sculpture play the same role as in other types of ritual architecture.

Supporting sentence: Monumental iconographic programs frequently evoke a mythic or historical past that informs and justifies the values celebrated in the ceremonial space.

Key words: Decorations-articulate and enlarge- meaning of the activities   

5)      Topic sentence: The images of John the Baptist that often decorated the walls of baptisteries gave meaning to the ritual of baptism.

Key words: Space- reliefs- meaning to pilgrim's walk

6)      Topic sentence: The museum serves as a ceremonial monument; its space and collection present an ensemble of art objects that functions as an iconographic program.

Supporting sentence: Museums almost everywhere sanction the idea that works of art should, above all, be viewed one-by-one in an apparently ahistorical environment.

7)      Topic sentence: Museums, like medieval abbey churches, town cathedrals and palace chapels tend to conform to one of a few well-established types, the two most important in the West today being such traditional state or municipal museums as the Metropolitan Museums of New York and such modern art museums as New York's Museum of Modern Art.

Supporting sentence: The iconographic program of any particular museum is almost as predictable as that of medieval church and is equally dependent on authoritative doctrine.

8)      Topic sentence: The Museum of Modern Art in New York City (MoMA) in its way represents the Charters of mid-twentieth-century modern art museums.

Supporting sentence: More than any other museum, MoMA developed the ritual forms that translated the ideology of late capitalism into immediate and vivid artistic terms- a monument to individualism, understood as subjective freedom.

9)      Topic sentence: A visit to MoMA begins with the façade.

Supporting sentence: When new, the clean, purified forms of MoMA's gleaming steel and glass façade announced the coming of a new aesthetic-a future of efficiency and rationality.

10)  Topic sentence: MoMA belongs to the age of corporate capitalism.

Supporting sentence:  It addresses us not as a community of citizens but as private individuals who value only experience that can be understood in subjective terms.

Key words: Ideal community- separation of public and private, external and internal

11)  Topic sentence: By employing the conventional rhetoric of public buildings, such traditional museums as the Metropolitan Museum of New York or the National Gallery of London dramatize the moment of passage from exterior to interior- from the everyday world to a space dedicated to the contemplation of higher values.

Supporting sentence: Here, too, the architecture asserts the existence of a community.

12)  Topic sentence: The ground floor (at MoMA) is an open, light-filled space.

Supporting sentence: On MoMA's ground floor you experience a heightened sense of individual free choice- a major theme of the building as a whole.

13)  Topic sentence: A museum, like a temple or church, serves different people in different ways.

Supporting sentence: The space of MoMA's ground floor creates a tension that later stages of the architectural script will eventually resolve.

14)  The entire paragraph talks about the way around the museum and the sense of bewilderment due to spatial disorientation by a newcomer.

15)  Topic sentence: The aura surrounding MoMA's permanent collection is unmatched by any other collection of modern art.

Supporting sentence: From the time of its founding, MoMA's trustees, led by the Rockefellers, promoted an image of glamorous modernity and liberalism that contrasted sharply with older types of museums and their nineteenth-century ideologies. 

16)  Topic sentence: The professionals who built the Museum's collection during the 1920's and the 1930's held their definite views about modern art and its historical development and sought out works accordingly.

Supporting sentence: The works of MoMA acquired express with extraordinary fullness and imagination of values, above all a belief in a certain kind of individualism.

17)   Topic sentence: Nineteenth-century art contained individualism within the representational conventions of naturalism.

Supporting sentence: The more subjective and abstract the visual language, the more unique and individualized the artist's consciousness.

Key words: Visual language- "real" and "objective" external world

18)  Topic sentence: As you walk through MoMA's permanent collection, you are aware of seeing a succession of works by artists whose uniqueness has been established in the authoritative literature and whose distinctive stylistic traits are easily recognizable.  

Supporting sentence: Individual artists acquire significance- art-historical importance- according to how much they contributed to the evolution of the total scheme.

19)  This paragraph talks about the directions in the museum.

20)  Topic sentence: As you advance along the prescribed route, the iconographic program emphasizes the principal moments and turning points of this history (of modern art).

21)  Topic sentence: In brief, that history records the increasing dematerialization and transcendence of mundane experience.  

Supporting sentence: The highlights of the route, which frame and define the history of modern art, are Cubism, Surrealism and Abstract Expressionism.

22)  Topic sentence: The structure of MoMA's ritual conforms to the archetypal labyrinth experience.

23)  Topic sentence: The labyrinth, a basic image in world cultures, appears in literature and drama as well as ceremonial architecture and other ritual settings.

24)  Topic sentence: Passage through the labyrinth is an ordeal that ends in triumph- a passage from darkness to light and thus a metaphor for spiritual enlightenment, integration, rebirth.

Supporting sentence: The ancient labyrinthine structures in palaces and temples, as well as those described in primitive myths, were associated with the earth and the Great Mother Goddess and were often located underground.

25)  Topic sentence 1: MoMA's labyrinth, however, lies above the earth.

Supporting sentence 1: It is impossible to guess what lies behind it.

Topic sentence 2: MoMA's Bauhaus-inspired design signaled progress, science and rationality.

Supporting sentence 2: But, in effect, it is a rational cover wrapped around an irrational core, and, as one critic observed, even the rational-looking exterior does not correspond to the division of space inside.

Key words: Labyrinth- ritual activity

26)  Topic sentence: In MoMA you wind through a series of narrow, silent, windowless white spaces.

Supporting sentence: You are in a "nowhere", a pristine blankness, a sunless white womb/tomb, seemingly outside time and history.

Key words: Ritual- internal drama

27)  Topic sentence: As you pass through MoMA's white, dream-like labyrinth, the gaze of the Great Mother finds you again and again.

Supporting sentence: She personifies the dangers of the route first run by artists themselves.

Key words: "breakthroughs", domination

28)  Topic sentence: The labyrinth emphasizes the terrible aspects of the goddess, her power to engulf, ensnare, petrify, castrate. But in the garden outside, amidst trees, waters, animals and earth, her power will be celebrated as a positive force, expressed by the swelling volumes of her massive body.

29)  Topic sentence: Inside the labyrinth the principle of creativity is defined and celebrated as a male spiritual endeavor in which consciousness finds its identity by transcending the material, biological world and its Mother Goddess.    

Key words: Salvation- spirit, light, intellect

30)  Topic sentence: In the labyrinth the pictures lead you along a spiritual path that rises to ever higher levels of transcendence.

Supporting sentence: The increasingly dematerialized and abstract forms as well as the emphasis on such themes as light and air proclaim the superiority of the spiritual and transcendent while negating the world of human emotions and needs. 

Key words: Spiritual enlightenment, "mundane" and "vulgar"- suppressed- "aesthetic detachment"

31)  Topic sentence: Enlightenment in the labyrinth means detachment from the world of common experience and material need.

Supporting sentence: But the logic of renunciation is relentless. It leads to final revelation: The ultimate value of nothingness- the transcendent void.   

Key words: Renounce- history and myth- underlying human condition

32)  Topic sentence: The triumph of Abstract Expressionism, then, is the triumph of spirit.

Supporting sentence: In the ideology of modernist art, as embodied in MoMA, it takes the form of aesthetic detachment- the ultimate value in artistic experience- overpowering sense of liberation and elevation.

33)  Topic sentence: The everyday world, ostensibly banished from consciousness, nevertheless haunts the labyrinthine way.

Supporting sentence: The labyrinth ritual glamorizes the competitive individualism and alienated human relations that characterize contemporary social experience- reconciles to pure subjectivity by equating it with "the human condition."

34)  Topic sentence: Thus, MoMA would reconcile you to the world, as it is, outside.

Supporting sentence: MoMA's ritual is a walk through a hall of mirrors in which isolation, fear and numbness appear as exciting and desirable states of being.

 

 

 

Taking Stock (Unfinished) : Hans Haacke

Tara Rachel Thomas (1124129)


Hans Haacke : Taking Stock (Unfinished)


Thesis Statement: Examining the rise of Saatchi and Saatchi as an advertising powerhouse, its implications for their philanthropic interests and their overseas business ventures.

Paragraph 1
Topic Sentence: The marble sculpture of Pandora, respresented on the little Victorian table in the painting, is by the British sculptor Harry Bates, who carved it in 1890.
Supporting Sentence: It belongs to the Tate Gallery.
Keywords: Tate Gallery – Margaret Thatcher – Queen Victoria – Chair from Victoria & Albert Museum.

Paragraph 2
Topic Sentence: The initials MS and CS on the rims of the broken plates on the top shelf of the bookcase refer to the brothers Maurice and Charles Saatchi, whose portraits appear in the center of the plates.
Supporting Sentence: In 1982, Julian Schnabel, who is known for his paintings incorporating broken plates, had an exhibition and the Tate Gallery.
Keywords: 9 of 11 paintings owned by Saatchis – Patrons of the New Art – Jennifer Bartlett Murals.

Paragraph 3
Topic Sentence: The Patrons are a private association with the stated goal of acquiring and donating contemporary art works to the Tate Gallery (the museum operated by the British government)
Supporting Sentence: Its membership includes many collectors and nearly all London art dealers.
Keywords: Complaints about the Saatchis not donating any paintings – "Power, prestige and social climbing"

Paragraph 4
Topic Sentence: At the time, Charles Saatchi was also a member of the board of trustees of the Whitechapel Gallery, another public institution in London, predominantly exhibiting contemporary art.
Supporting Sentence: It is suspected that he profited from insider information about the gallery's exhibition plans, which allowed him to buy works - notably Fransesco Clemente and Malcolm Morley - at a favorable moment.
Keywords: Haacke exhibition – Resignation from positions held

Paragraph 5
Topic Sentence: Doris Saatchi, the former Doris Lockhartm is a graduate of Smith College and ex-copy-writer for the New York advertising agency Ogilvy and Mather.
Supporting Sentence: She now writes art criticism for The World of Interiors, Artscribe, and Architectural Review, and is the London editor of the American Home and Garden.
Keywords: Art collection – 1970s – Photo-realism – pattern painting – minimalism – neoexpressionism – Museum of Contemporary Arts, LA – Collectors Invited

Paragraph 6
Topic Sentence: The financial base for the massive acquisitions on the art market is the income from Saatchi & Saatchi Company PLCM, which has been built by the Saatchi brothers, through a string of spectacular mergers, into the largest advertising agency in the world.
Supporting Sentence: The necessary capital has been raised on the London Stock Exchangem where the company has been listed since 1975, as well as through the issuance of American depository shares.
Keywords: Assumed that – Support received from a trade journal called Campaign –Where Maurice Saatchi once worked. Controlling family trusts – Tory minister

Paragraph 7
Topic Sentence: In 1982, the Saatchis acquired Compton Communications, an important New York agency.
Supporting Statement : It provided them with a worldwide network and, a client, Procter & Gamble, the world's largest advertiser.
Keywords: Host of clients such as the Marlboro Group –  the"big bang merger" – $7 billion in nbillings - Relocation of Headquarters

Paragraph 8
Topic Sentence: The Saatchis are promoting the idea of "global marketing" i.e., the use of a single strategy, brand name and advertising campaign throughout the world.
Supporting Sentence:  They have expanded into areas beyond advertising, such as public relations, market research, and management consulting.
Keywords: Acquisition of Michael Deaver & Associates – questioned in Congress –  brothers Charles and Maurice referred to as "Snatchit and Snatchit"

Paragraph 9
Topic Sentence: Saatchi & Saatchi ran Margaret Thatcher's election campaign in 1979 and 1983.
Supporting Sentence: The New York Times commented that the themes of its political advertisements "tend to be simple to the point of brutality"
Keywords: Asian and West Indian population -Insulting  - Tory Election campaign – British Airways Account – South African Office hired by Nationalist Party – promote change in constitution – disenfranchised 21 million blacks – cemented apartheid

Paragraph 10
Topic Sentence: KMP-Compton, the South African outpost of Saatchi & Saatchi Compton Worldwide, serves government agencies, such as the Department of Trade & Industry and ISCOR, the government controlled Steel Corporation.
Supporting Sentence: Among its clients are also Senbank, "South Africa's leading merchant bank" and the Free Enterprise Bank, a subsidiary of Ciskei Peoples development Bank.
Keywords: Ciskei – creation of South African government – makes indigenous population foreigners in their own native land – unaccepted by other countries as nation.

Paragraph 11
Topic Sentence: In 1985, KMP-Compton ran the following full page advertisement in the Financial Mail, the leading South African business weekly.
Supporting Sentence: If there is one thing that Charles and Maurice have proved in their spectacular surge to the heights of advertising business, it's that they know how to pick winners.
Keywords: They noted KMPs professionalism, client base, financial stability, disciplined creativity – unmistakable South Africanism – highly important – more effective communication – fuller understanding of market.

Paragraph 12
Topic Sentence: The 1985 annual report for the first time lists Barker McCormac, which handles the Barclays Bank's account in South Africa, as a second South African agency of the Saatchi network.
Supporting Statement: Also, the newly acquired Hay Group maintains a management consulting office in Johannesburg.  
Keywords:  Acquired two big groups – Saatchi and Saatchi biggest agency in South Africa – Expanding – Acquired shares in National Mining Corporation – for "diversified, non-media related service agency"
Paragraph 13
Topic Sentence: In 1985, Doris and Charles Saatchi opened a private museum in the north of London, designed by Max Gordon, a friend and former colleague both at the Tate Gallery and on the board of the Whitechapel Gallery.
Supporting Statement: A lavishly illustrated four-volume catalogue of the collection has been published, with the title Art in our Time : The Saatchi Catalogue
Keywords: Ownership of pieces not mentioned – When on loan – attributed to Saatchis – listed in company annual report under "fixed tangible assets" – no depreciation -.

Paragraph 14
Topic Sentence: The Saatchis continue to buy contemporary art, usually a large number of works by the artists of their choice, e.g; they have nineteen large paintings by Baselitz, twenty seven by Schnabel, twenty-four by Clemente.
Supporting Sentence: According to Leo Castelli, "what collectors like the Saatchis do has a tremendous influence on what other people do and also on the market"
Keyword:  Normal Rosenthal has said - If they sell – whole market of art would crash. – Sandro Chia – Victim of this mechanism.

A Global Counter-Culture: Susan Buck-Morss

Siju Paul

Reg. No.1124105


Thesis Statement: It can be argued that the global violence initiated by September 11 has had an impact generally on perception and expression – on seeing and speaking; and that for us as practitioners of culture, business as usual has become difficult if not impossible, because the very tools of our trade – language and image- are being appropriated as weapons by all sides.


Paragraph 1:

Topic sentence: the Global violence initiated by September 11 has had an impact generally on perception and expression , language and image are being appropriated as weapons by all sides.

Supporting ideas and sentences: Global violence initiated by September 11 has had an impact in every state of life…but this appropriation is symptomatic ….pervasive crisis in cultural practice that began well before September 11.

Key word: Global violence


Paragraph 2

Topic sentence: it is not the content of the cultural weapons being displayed by the US or Al- Qaeda, by Israel or Hamas, that necessarily disturbs our work – although politically and ethically we may be deeply troubled by that content

Supporting ideas and sentences: It does not mean that cultural weapons being deployed by the US or al – Qaeda……Language and image are being appropriated today by discourse of power in a very particular way… one that negates their usefulness for critical practices of theory and of art

Key word: Language and Image


Paragraph 3

Topic Sentence: US does not violate human rights, it is a civilized nation.

Supporting ideas and sentences: This is an epistemological description.. ..Judgment of truth and falsity…civilized nation do not violate human rights…the US does not violate human right…there for the Us is a civilized nation

Key word: Civilized nation


Paragraph 4

Topic Sentence: Whatever the US does as a nation by definition cannot be a violation of human rights even if the same action done by an uncivilized nation would be a violation

Supporting ideas and sentences: US is a civilized nation it does not violate human rights…US by its very definition could not be a violation of human rights.. if the same action done by some other nations it will be a violation.

Key word: Civilized nation


Paragraph 5

Topic Sentence: In the ontologically defined terrain, to criticize US state actions is to be unpatriotic; to criticize Islamic violence is to be Jahili, to criticize the Israeli stale is to be anti Semitic.

Supporting ideas and sentences: In fact eliminates…..the very possibility of critical thinking, with out which democratic debate becomes impossible.

Key word: critical thinking


Paragraph 6

Topic sentence: In the modern era in Western culture, art was secularized, no longer connected with ritual, as Walter Benjamin observed, and hence no longer within the domain of metaphysical "truth".

Supporting ideas and sentences: Aesthetic for Kant...sensory perception..the very definition of what art is involved making critical judgments about material world…. In the modern era the definition of art was first posed in epistemological form…Collective Judgments were institutionalized, so that one could say because it is art, it is in the museum

Key word: Aesthetic experience


Paragraph 7

Topic Sentence: A crucial insufficiency of Kantian aesthetic was that its critical epistemology, while acknowledging cultural difference, did not extend to the context in which art works are made and validated.

Supporting ideas and sentences: Duchamp's practice turned the epistemological question what is art?....into a mode of social criticism a negative ontology of the state of being of whole legitimating structure of museums..

Key word: artwork


Paragraph 8

Topic Sentence: Nonetheless, the epistemological formulated question - what is art? Did not go away when answers were sought in the social field.

Supporting ideas and sentences: Whether one considers the anthropophagic movement or the political challenge to artistic practice..in 1960s and 70s the question what is art? Was central...the epistemological criterion of judgment remained the basis of artistic practice

Key word: artistic practice


Paragraph 9

Topic Sentence: There is a real investment made by many of us today in the idea that artistic practice was liberated when judgment of both taste and politics ceased to be the criterion for art.

Supporting ideas and sentences: No art objects are necessary.. No political or social usefulness is required. Artistic practices have been deregulated…. Artists are iconic embodiments…..almost advertisement for the slogan of freedom speech.

Key word: artistic Practices


Paragraph 10

Topic Sentence: The advertisement, as true: that artistic freedom exists, but that it has migrated from the art work to the artist.

Supporting ideas and sentences: The institutions of cultural power are not threatened by what the artist creates…this would seem to be a great victory for the force of cultural freedom…

Key word: Cultural freedom


Paragraph 11

Topic Sentence: Museums have had a striking resurgence in the past decade.

Supporting ideas and sentences: They are the preferred form of cultural tourism in an age of globalization..

Key Word: the institutional setting of art


Paragraph 12

Topic Sentence: Artistic freedom exists in proportion to the artists irrelevance

Supporting ideas and sentences: American art today can be anything except necessary…it is the structure and social function of the art world ….that guarantees the meaninglessness of much of artistic practice today…

Key word: art world


Paragraph 13

Topic sentence : this troubling displacement from the epistemologically defined object of art to the ontologically defined being of the "artist" signals the naturalization of artist protest within a florally commercialized, self – contained and self absorbed art worlds.

Supporting ideas and sentences: Different types of strategies are mentioned here..One strategy is for the artist to use her or his socio ontological identity as the content of art…..another is to make the artist corporal self the site of art. Next one is performance art… dissolving the artists being into an action that disappears.

Key word: strategies


Paragraph 14

Topic Sentence: The gesture e of "disappearance" that struck as symptomatic in the work of the artists of inSITE2000

Supporting ideas and sentences: The inSITE 2000 artists escaped temporarily from the conditions of being in the art world….the possibility of a changed situation of artistic production , indeed , of all cultural …production …and that may the chance of success.

Key word: dialectical reversal


Paragraph 15

Topic sentence: Artistic practice might contribute to a general reactivation of social imagination, circulating via the new media's unprecedented power.

Supporting ideas and sentences: Artists would relinquish their impotent power as residents of the gated community of the art world in return of social relevance…..aesthetic experience manages to escape not only the art world , but all worlds as disciplinary regimes.

Key word: art world


Paragraph 16

Topic Sentence: The terrorist attack on the world trade towers in New York city was "the greatest work of art for the whole cosmos".

Supporting ideas and sentences: We might consider the terrorist spectacle as a staging of Heidegger's' ontological definition….of being human as being toward the death.. we would need to recognize …in the terrorist action in New York it a restaging of military telepresence in the Middle Eat – the sobering.. Implications of such reflections might lead us to reject essentialist ontology and return to critical epistemology…

Key word: Terrorist action

Modernism Postmodernism and the problem of the visual in Afro-American culture: Michele Wallace

 
JOSEPH MATHEW

1124133

 

 
 
Modernism Postmodernism

and the problem of the visual in Afro-American culture

 

Michele  Wallace

 

 

1) Topic sentence: The case of Brown vs Bard of education in 1954

-Supreme court judged-segregated schools-unequal and discriminatory-tests revealed that the self-esteem-children gets damaged-racism.

 

Keyword

Racism and segregation damaged the self esteem of Black children

 

2)  Topic sentence: Debates on Clark's research

-Scientific validity-testing methods-documentary opened Clark's research showing small Black children-choosing white doll-black doll-Unusual for media to refer back to this research-evidence-racism-deprivational experience-interpreting-stereotypical line.

 

Keyword

It is not at all unusual for the media to refer back to this research as evidence that racism is an unambiguously deprivational experience

 

3) Topic sentence: Blacks are disfranchised than whites

Profiles of a black regiment of fighter pilots-world war 2-newly appointed black chairman-offered as corrective.

 

Keyword

Nor beauty nor aesthetics nore hype culture were raised as precipitating factors  

 

4)Topic sentence: poverty and powerlessness feed a child's perception

 

Process –much-complex-direct correlation-encompass-society –operative evaluation –images-further inscribed by skin colour-affect children' opinion on race

 

Keyword: not only the presence of "negative black" stereotypes in schoolbook illustrations in mass media in general is crucial dynamic never accounted for

 

5) TOPIC SENTENCE: The power of images and words

 

Mentioned in Toni Morrison's use of the dick and Jane-to potray –domination of whites –bluest eye-absence of black image-could produce-void-racial questions –Clark's findings

 

Keyword: cynicism inappropriate to childhood.

 

6) Topic sentence: we all know in our hearts ,as mere child  in our midst today must know ,that "nigger", "is used to mean "other" and yet we persist in denying it.

 

 

In 1979-Donald Neuman - designated –exhibition of charcoal-as "nigger drawings"- in 1989-when Jackie Mason –mayoral candidate –"schwartze"

Keyword: Bourgeois humanism, colour is an innately trivial matter.

 

7) Topic sentence: how one is seen (as a black)and, therefore ,what one sees(in a white world) is always already crucial to one's existence as Afro-American

 

Dark skin- kinky/curly hair-are visual-invisibility- according to Ralph Elison

Leads-racists –interpretation-you are unable to see.

 

Thesis statement: This has meant ,among other things, that Afro-Americans have not produced a tradition in  the visual arts as vital and compelling to other Americans as the Afro- Americans tradition in music

                                                                                            

Keyword: tradition

 

8) Topic sentence: Black artists are not as widely accepted as black writer's is because shifts in art historical judgements result in extraordinary contingencies

 

Closed economic nepotism-art world –perpetuate –the -situation

 

Keyword: Artists of colour face an industry –wide "restraint of trade", limiting their ability to show and sell their work.

 

 

 

 

9)Topic sentence:"Race" was  frequently discussed in my family room,although "racism was not.

 

Such word entered common parlance –colored to refer-his own people-ablack boy –corrected –saying-negro-Negro –refered-militant word-Black as a description of race

 

Keyword:RACE

 

10)TOPIC SENTENCE: according to Raymond williamsin Marxism and literature ,hegemony is a process that relies up on the mechanism of traditions and cannons of

Old masters in order to waylay the utopian desires that are potentially embodied in cultural production .

 Concept of tradition- behind contemporary –variations on tradition –feminist—Afro –American –they are –radically selective –maintaining dominance –brutual  status quo.

 

Keyword:Tradition

 

 

 

11)Topic sentence:more specifically it was Picasso and modernism ,in general ,that epitomized the art historical moment of greatest fascination

 

The debate-picasso-cubism- -subsequent-modernists borrowed- African art –black middle class  intelligentsia-50s -60s –white American –high modernism-borrowed-Africa

 

Keyword:modernism

cia2

sir,
  hereby i submit my assignments
            -JOSEPH MATHEW