Mediations Journal |
- Editors' Note
- Fredric Jameson: A New Reading of [Capital]
- Anna Kornbluh: On Marx's Victorian Novel
- Roland Boer: Marxism and Eschatology Reconsidered
- Reiichi Miura: What Kind of Revolution Do You Want? | Punk, the Contemporary Left, and Singularity
- Alexei Penzin: The Soviets of the Multitude: On Collectivity and Collective Work: | An Interview with Paolo Virno
- Nataša Kovačević: New Money in the Old World: | On Europe's Neoliberal Disenchantment
- Kevin Floyd: Queer Principles of Hope
- Madeleine Monson-Rosen: Under a Pink Flag
Posted: 24 Feb 2011 12:36 PM PST |
Posted: 24 Feb 2011 02:19 PM PST |
Posted: 24 Feb 2011 02:17 PM PST As out of place as Marx himself might have been in Victorian England, Capital is less out of place than one might have thought among Victorian novels. But this does not have to mean that its mode of truth is literary. Anna Kornbluh explores the tropes that propel Capital in order to establish the novel relationship Marx produces between world and text. |
Posted: 24 Feb 2011 02:11 PM PST |
Posted: 24 Feb 2011 02:08 PM PST What does punk have to do with Empire? What does singularity have to do with identity? What does the logic of rock 'n' roll aesthetics have to do with a politics of representation? What does the concept of the multitude have to do with neoliberalism? The answer to all these questions, argues Reiichi Miura, is a lot more than you might think. |
Posted: 24 Feb 2011 01:06 PM PST |
Posted: 24 Feb 2011 02:25 PM PST |
Posted: 24 Feb 2011 01:02 PM PST |
Posted: 24 Feb 2011 01:05 PM PST |
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